Elements of Japanese gardens

The beauty of our gardens is based on a flood of plants, trees and flowers. In Japanese gardens, this is not the case. For most types of Japanese gardens, plants are also very important, but not their most important element.

Japanese gardens are characterized, among other things, by harmony, space, specific lines, a sense of Wabi and Sabi, enclosed privacy. To achieve this, elements and accessories are used. They are mixed with each other in such way they together achieve the balance, the line and the meditation feeling in the garden space. Each element has different meanings and can symbolize many things. It can be said that in a Japanese garden, nothing is accidental.

Water

Water is one of the fundamental elements of all styles of Japanese gardens excluding the so-called dry Zen gardens. Water levels in Zen gardens are shown by other elements: sand, gravel, stone. Both large and small lakes represent an ocean or a sea.

Streams and waterfalls
Streams and waterfalls in Japanese gardens, source: Pinterest, wabisabilife.cz
Streams and waterfalls in Japanese gardens, source: Pinterest, wabisabilife.cz

Streams and waterfalls bring movement and sound to space. Sound can be an integral part of Japanese gardens as well as visual elements.

Islands
Islands in Japanese gardens, source: pinterest.com, wabisabilife.cz
Islands in Japanese gardens, source: pinterest.com, wabisabilife.cz

The islands are another traditional element of Japanese gardens. They may be indicated only with a big stone or so large that a pavilion can be built on them. Some can be created to resemble a turtle or a crane, symbols of longevity and health, or the sacred mystical mountain Horai.

Bridges
Bridges in the Japanese gardens, source: pinterest.com, wabisabilife.cz
Bridges in the Japanese gardens, source: pinterest.com, wabisabilife.cz

A bridge in the Japanese garden often symbolizes the path to paradise and immortality. However it also often connects the mainland with an island and allows you to view the beauty of the garden. Bridges can be stone, wooden, arched, flat, depending on garden style. Some wooden bridges are painted red, but it is more linked to the Chinese tradition.

Bridges in the Japanese gardens, source: pinterest.com, wabisabilife.cz
Bridges in the Japanese gardens, source: pinterest.com, wabisabilife.cz
Bamboo fountains sōzu
Bamboo fountains, source: pinterest.com, wabisabilife.cz
Bamboo fountains, source: pinterest.com, wabisabilife.cz

Bamboo fountains, known as sōzu bring to the garden, among other things, the element of sound (just like waterfalls).

Fountains, source: pinterest.com, wabisabilife.cz
Fountains, source: pinterest.com, wabisabilife.cz
Fish, koi carp

Japanese koi carp and other fish bring into the water space wonderful colours and life.

Stone

Sand, gravel, and stone in Japanese gardens, source: pinterest.com, wabisabilife.cz
Sand, gravel, and stone in Japanese gardens, source: pinterest.com, wabisabilife.cz

Stone is another essential element of Japanese gardens. Mostly in gardens in the style karesansui – dry gardens, commonly known under name Zen gardens. Sand, gravel, and stone can even be the only elements that represent the image of the whole landscape, ocean (sand or gravel), islands, rocks and mountains (stones of different sizes).

Stepping stones
Stepping stones, source: pinterest.com, wabisabilife.cz
Stepping stones, source: pinterest.com, wabisabilife.cz

Routes and paths in the grass, through the sand or gravel “ocean”, but also through a real water space. Stepping stones – ie. flat stones – are another element that can be found in every Japanese garden. Unsymmetrical fitting will allow you to experience a feeling of much greater distances.

Stone lanterns
Stone lanterns, source: pinterest.com, wabisabilife.cz
Stone lanterns, source: pinterest.com, wabisabilife.cz

Although the stone lanterns didn’t use to be an essential element of Japanese gardens, in the western world they have become the symbol of them. And really there are not many Japanese-style gardens, where would not be at least one of the many variations of stone lanterns. They are also often used to create a Wabi feeling.

Stone statues
Statues in Japanese gardens, source: tokyotimes.org, pinterest.com, wabisabilife.cz
Statues in Japanese gardens, source: tokyotimes.org, pinterest.com, wabisabilife.cz

In Japanese gardens, there is the omnipresent idea of Buddhism. It is no wonder, therefore, that you can also find a Buddha statue there. Mostly inconspicuously placed and often covered with moss, which again brings to the garden the wabi-sabi feeling. In addition to the classic Buddha, there could also be found a statue of one of the most popular figures of Japanese Buddhism – Jizō Bosatsu (Bodhisattva). He is especially known as the protector of deceased children.

Fences and gates

Fences in Japanese gardens: pinterest.com, wabisabilife.cz
Fences in Japanese gardens: pinterest.com, wabisabilife.cz

Having a garden open to the rest of the world is very rare in Japanese gardens. The Japanese garden is often surrounded by walls or bamboo fences that prevent a carefully designed balance from the outside world. And the fence includes a gate, which is as a symbolic as an actual interface of the inner and outer world.

Gates to gardens, source: pinterest.com, wabisabilife.cz
Gates to gardens, source: pinterest.com, wabisabilife.cz

Teahouses and pavilions

Teahouses and pavilions in Japanese gardens, source: pinterest.com, wabisabilife.cz
Teahouses and pavilions in Japanese gardens, source: pinterest.com, wabisabilife.cz

In the past, many types of gardens have been designed to be seen from within a building such as a palace or a temple. Nowadays small buildings such as pavilions and teahouses are one of the elements of the garden.

Trees and plants

Trees and plants are not the most important element in Japanese gardens. Still, with most styles, the selection and composition of individual trees, shrubs, plants and mosses are very important. But that’s already a topic for another separate article.

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Wabi-sabi history

When you search for information about wabi-sabi history or where it actually came from, you will almost always come across a link to 16th-century Japan and the legend of the tea master Sen no Rikyū. Rikyū is indeed honoured by the Japanese and considered to be maybe the first person to understand the core of this culturally-philosophical direction. And certainly, his approach to the aesthetics of natural simplicity greatly developed new forms of Japanese architecture, garden design, fine and applied arts. But he is definitely not someone who one day decided to create wabi-sabi from the ground up.

Buddha

Buddha

The complete beginning of the wabi-sabi nascency, of course, cannot be precisely dated. Wabi-sabi is based on Zen Buddhism, it is its specific expression. That is why it is sometimes stated that the primordial beginning dates back to 563 BC when Prince Siddhartha Gautama – later known to us as Buddha – found compassion for human suffering and gave up on the material world. Now, the history of Buddhism and Zen Buddhism should follow. But we’re going to abridge it and skip a few centuries later:

Tea ceremony

Tea ceremonyFrom the end of the 12th century, Zen Buddhism has begun to spread from China to Japan. At the beginning of the thirteenth century, the art of the tea ceremony also developed in Japan, mainly thanks to Buddhist priests.

Over the following two centuries, the tea ceremony developed in the most typical way for practising Zen philosophy. But at the same time also in a social form that combines the skills needed in architecture, interior design, garden design, floral arrangements, painting, food preparation and acting. Plus the tea master had to handle incorporating the present guests into a peaceful art event.

The tea room in the 15th century and the beginning of the 16th century was used for Japanese traders similar as recently in our world the golf courses. There were business contracts negotiated there. Consolidation and disruption of political alliances. Expensive materials, Chinese richly decorated ceramics, were used there. Overall, it was the aesthetics of opulence and exaggerated ornamentalism, mostly originating in China. Tea was actually taken as a sort of entertainment for the elite.

Murata Jukō

Murata JukōAlready at the end of the 15th century, the Zen monk Murata Jukō began to rebel against the existing rules of the tea ceremony. By, for example, opening access to the tea ceremony even for ordinary people. He ended this period of tea ceremony as a certain extravagance for the chosen ones. He also began to use ordinary unruly ceramics made by local people. This is also why is Jukō mentioned as the first known tea master of wabi-sabi.

Sen no Rikyū

Sen no RikyūA hundred years later – in the 16th century – we are already getting to the most famous figure of wabi-sabi – the tea master Sen no Rikyū (1522-1591), under which the wabi-sabi reached its peak. Frequently mentioned is the legend of Sen no Rikyū, which in its own simplicity describes the principle of wabi-sabi.

The legend of Sen no Rikyū

Sen no Rikyū was a young man who wanted to learn the art of the tea ceremony. So he went to the famous tea master Takeno Jōō, who instructed him to clean up and rake up a garden full of leaves as an entrance exam. After its thorough work, Rikyū checked the flawless and perfect appearance of the garden, but before he showed it to his master, he shook a tree – probably the Japanese Red Maple tree – and several beautifully coloured leaves fell on the ground.

According to another variant of the story, it was a blooming Sakura and Rikyū shook a tree to drop a couple of flowers. I don’t know, but we have a Japanese cherry tree in our garden. When it blooms, it’s really beautiful, but the flowers are falling in a big way by themselves without shaking the tree. However, this story to a certain extent essentially characterizes wabi-sabi – in the beauty of imperfection, transience and incompleteness.

There‘s a similar story about how Rikyū many years later rebuked his son – the future student of the art of the tea ceremony – for cleaning up a garden too perfectly.

Well, it’s a legend, and it sounds slightly made up. But this was in the 16th century. A century that wasn‘t very pretty. Neither in Asia nor in Europe. It was a time of constant war and cruelty, but also a period of the flowering of arts. Even the art of Japanese tea ceremonies.

Rikyū, the greatest of the tea masters

Rikyū became a tea master and one of the greatest at that. His approach to the aesthetics of simplicity has developed new forms of Japanese architecture, garden design, fine and applied arts.

But back to reality, Japan, 16th century. Rikyū became famous and respected in his lifetime. It worried his superior and patron, Hideyoshi, so much so that he ordered the seventy-year-old tea master Rikyū to commit ritual suicide (Harakiri).

wabi-sabi history Sen no Rikyū

Harmony, respect, purity and tranquillity are still the bases not only of the tea ceremony. Indeed, the Rikyū himself is even in these days revered by the Japanese and considered to be the first to understand the core of the cultural and philosophical direction of wabi-sabi – the art of finding beauty in imperfection, weighing every moment in its transience, honouring the authenticity. Wabi-sabi is interpreted as “the wisdom of natural simplicity“.

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